Yes, American women, you have your beloved Sex and the City, and you may or may not want your Friends in the future, but you have nothing to compare to the female population in Japan, who are singing, en masse, the praises of Boys Over Flowers!

Currently sweeping the nation, Boys Over Flowers: Final shoved old Indiana Jones and his silly old Crystal Skull out of the way, Box Office Mojo tells us, wresting the #1 spot away from the Spielberg-Lucas devil child, whose fridge has indeed been nuked. Crystal Skull is in its second week of release in Japan; playing on 788 screens, it averaged $7,810 per screen, while Boys Over Flowers: Final averaged more than three times that amount. What's the Japanese word for "ka-ching!"?

As you might suspect from its English-language title, the phenomenom is not new, beginning with a manga series (Hana Yori Dango) published from 1992 to 2003. Among other spin-offs, an anime series was broadcast (available on Region 1 DVD), as well as a hugely popular live-action television series that aired in two 11-episode arcs in 2005 and 2007, following the travails of a "working-class girl [Inoue Mao] at an elite prep school who must contend with a four-man clique of rich, gorgeous guys," as Variety summarized. The movie wraps things up. Kevin at Nippon Cinema has a good synopsis of the whole thing, along with a teaser and a trailer from the Japanese-language official site.

Boys Over Flowers: Final proved very popular with young women aged 16 through 19, who supplied 25% of the audience, according to lunapark6. Owing to its popularity, perhaps an enterprising US company will pick up DVD rights and make the movie available in the US.

It was a good weekend at the box office for both of last week's newbies, marking the first time in history that two films opening on the same weekend pulled in over $50 million each. Here's the top five:

1. Wall-E: $63 million
2. Wanted: $50.9 million
3. Get Smart: $20.2 million
4. Kung Fu Panda: $11.7 million
5. The Incredible Hulk: $9.6 million

Only one major release this week, but we've also got one going into wider release.

Hancock
What's It All About: Will Smith plays Hancock, a hard drinking anti-social superhero, and a PR agent played by Jason Bateman sets out to repair Hancock's public image.
Why It Might Do Well: Will Smith may not always have the Midas touch (I Am Legend left me cold) but he's got quite a few successful blockbusters under his belt, and people are loving the superhero flicks these days. I've liked Bateman's work a lot since Arrested Development, and I'm always glad to see him. Also, Cinematical's own Kim Voynar has given the film her seal of approval.
Why It Might Not Do Well: Unlike most big-budget superhero movies, this one doesn't originate from another media like comic books, so it doesn't come with the core fanbase of an Iron Man or an Incredible Hulk. Also, the 36% fresh rating at Rottentomatoes.com is not encouraging.
Number of Theaters: 3,900
Prediction: $45 million

And going into wider release this week...

A couple of weeks back, I wrote about the imminent release of three-quel Public Enemy Returns. Hopes were high that the Korean-made crime action comedy would enjoy a measure of success and thus buoy local filmmakers; Korean audiences have been avoiding local product for months.

Public Enemy Returns did indeed have a bountiful opening, grossing more than $7.2 million in its premiere weekend and smashing Get Smart, according to Box Office Mojo. In its second weekend, though, it fell victim to international action powerhouse Wanted, demonstrating that curving bullets and the even more curvaceous Angelina Jolie need fear no borders. Still, Public Enemy Returns has nothing to be ashamed of -- it made $4.7 million to Wanted's $5.4 million -- and provides hope that upcoming Korean movies such as The Good, the Bad, and the Weird, Sunny, and Eye for an Eye will find favor locally in the coming weeks.

Meanwhile, Kung Fu Panda has been warmly embraced by China, in the words of The Hollywood Reporter. With $14 million in box office receipts in its first ten days, the animated animal adventure has already been declared "the most successful foreign animated film in China," as claimed by a government news agency. If accurate, that gross would place the film practically neck and neck with Iron Man and the Chinese-made Kung Fu Dunk for the #3 box office position for the year so far. I haven't seen Panda yet; is this is a good thing or a bad thing from a cultural and/or cinematic standpoint?

Despite dropping more than 50% in its second week of release, Kit Kittredge: An American Girl (Picturehouse) outdrew all other specialty releases over the weekend, earning $21,200 per screen at five theaters, according to estimates compiled by Box Office Mojo.

Directed by Canadian indie veteran Patricia Rozema (I've Heard the Mermaids Singing, When Night is Falling), Kit Kittredge has clearly benefited from a devoted fan base that convinced thousands of their parental units to fork over $20 per ticket -- which, to be fair, includes a limited-edition t-shirt -- to see the movie in advance of its wide release tomorrow. That's a very good performance when you consider its main competition was not, actually, a French-language flick that skewed very adult, but actually a heavily-advertised animated film.

Catherine Breillat's The Last Mistress (IFC Films), starring Asia Argento, took in $17,600 per screen at two locations, which probably owes as much, if not more, to the name recognition of Argento as that of the often-confounding Breillat.

It seems fairly certain that Hancock will do decent business when it hits theaters this week, if only because Will Smith rarely stars in a dud these days -- especially when it's his face selling the movie before all else. Whether or not the film has staying power after opening weekend, however, remains to be seen, but Sony Pictures clearly has a lot of faith in its potential: Last week, the studio revealed its intentions of releasing the film online sometime after its theatrical run and before its DVD release, but only to users with Sony Bravia TV sets. It's a bold maneuver, one that assumes its core base of consumers actually have an interest in Hancock -- but the movie will make a profit either way, so it's a reasonable choice for this intriguing experiment.

Left in the dust by Apple's iPod, Sony continues to struggle in its search for a piece of the digital revolution. Company head Howard Stringer recently told the New York Times that the strategy for releasing Hancock "vanishes the memory of the failures of the Sony Walkman." Well, maybe. While on-demand technology has changed the way audiences consume their media, they don't like paying more money than necessary. Asking your audiences to buy a special device in order to access what, at this point, amounts to one movie -- well, that's asking a lot. But it's still a step in the right direction.

What do you think?

Notwithstanding the best attempts of some to smear Wall-E as being somehow hypocritical or disdainful of consumers, the little robot gave Pixar the third-best opening weekend in its history, behind The Incredibles and Finding Nemo (and roughly tied with Monsters, Inc.). Its $62.5 million take was on par with expectations, though the lack of the usual family film Saturday and Sunday bump suggests that Wall-E attracted an impressive number of kidless Friday night moviegoers. And that bodes well for the weeks to come: the movie is quite sophisticated and not all that toddler-friendly, so word-of-mouth among adults will be key.

Given Wall-E's apparent cross-demographic appeal, one might have expected Wanted to struggle a bit as the weekend's "adult counterprogramming," but nothing doing: at $51.1 million and a strong second place, we may have a new franchise on our hands. The two combined to make this the strongest three-day weekend of the summer at the box-office overall; in fact, to find a higher combined top 12 gross, we have to go back to Memorial Day 2007 and the debut of Pirates of the Caribbean: At World's End.

The rest of the chart looks unremarkable. The Love Guru dropped almost 61% to 6th place, prompting the unsurprising conclusion that the Guru Pitka didn't connect with summer audiences. The Incredible Hulk continues to run behind Hulk, ruling out the possibility that it will have the staying power to do appreciably better than the embattled 2004 film. Wall-E gave Kung Fu Panda its first significant hit, dropping it to 4th place. Indiana Jones will break $300 million by the end of Monday, if Sunday's final numbers don't push it past the milestone. And The Happening looks like it will top out around $70 million.

The full numbers after the jump.

His last movie didn't do so hot, but George Clooney's still making headlines. This time, he has spoken out about the recent split between the Screen Actors Guild and the American Federation of Television and Radio Artists. According to Variety, Clooney has decided to stay neutral where many prominent actors have taken sides, and he's urging others to take the same route. If Hollywood actors go on strike, it'll probably be SAG's fault, considering the eagerness of AFTRA to negotiate a deal with the Alliance of Motion Picture and Television Producers. AFTRA's biggest defender is Tom Hanks, while Jack Nicholson is heading up the other side. "Stories about Jack Nicholson vs. Tom Hanks only strengthen the negotiating power of the AMPTP," Clooney said in a statement.

Like many actors, Clooney wants to take any measures he can to prevent a strike. As a member of SAG, the Directors Guild of America and the Writers Guild of America, he wears many hats. "I'm hoping that there might be a way out of this," he said. "To be sure, I'm not the brightest bulb out there. So maybe someone has a lot better idea." Then he got personal: "I just happen to believe so strongly in both unions... my father, my mother, aunt, uncle, even cousins were all members." Nobody's doubting his allegiance, but after souring his relationship with the WGA after Leatherheads came out, it's hard to say how the other unions will regard him in the coming months.

Yesterday's New York Post contained a gossip item in Page Six taken from the book party for James Rosen's The Strong Man: John Mitchell and the Secrets of Watergate in New York, where attendee Tony Danza expressed an interest in playing Richard Nixon aide H.R. Halderman -- maybe in a movie version of Rosen's book. Halderman, who died in 1993, worked for Nixon as White House Chief of Staff until the Watergate scandal landed him eighteen months in prison in 1973. His story, partially recounted in The Strong Man, involved a longstanding relationship with Nixon going back to the 1950s and the tense moments immediately before and after the president's resignation. In between, he was involved in a botched attempt to assassinate Fidel Castro and other tumultuous events dutifully recorded in Halderman's diary, which became available to the public years later.

Many political scandals often revolve around a single corrupt individual, but it's the right hand man whose story can be most revealing. (Roy Cohen's personal drama has way more twists than that of Joseph McCarthy, for example.) There's little doubt that Halderman's experiences would work well on the big screen, but this wouldn't be the first time: IMDb lists no less than five actors who have portrayed Halderman, including James Downing in The Pentagon Papers, as recently as 2003. Would Danza make sense in this role? And will any film have a chance at getting people interested in this story after Frost/Nixon nabs the spotlight later this year?

Steve Carell scored big this week recreating the role of Agent Maxwell Smart in Get Smart, providing the best opening weekend ever for a film with Carell in the lead. The Incredible Hulk fell into second place for its second week but Hulk and Kung Fu Panda both outdid last week's other new release The Love Guru. Here are the totals:

1. Get Smart: $38.6 million
2. The Incredible Hulk: $22.1 million
3. Kung Fu Panda: $21.9 million
4. The Love Guru: $13.9 million
5. The Happening: $10.5 million

Two wide releases this week, a heartwarming comedy for the whole family and a stylized action adventure shoot-em-up for the older crowd.

WALL-E
What's It All About: Disney/Pixar is back with the tale of a lovable sentient trash compactor. WALL-E has been alone on the abandoned Planet Earth for hundreds of years, but he discovers a new purpose when he meets a robot named EVE. Apparently WALL-E has stumbled upon the key to the planet's future, a solution which the human race eagerly awaits.
Why It Might Do Well: The trailers look promising and WALL-E is written and directed by Andrew Stanton, who served in the same capacity on Finding Nemo, Pixar's most financially successful film to date. Plus, our star has the cute going on.
Why It Might Not Do Well: Science fiction writer Isaac Asimov described a condition called The Frankenstein Complex, which is a fear of robots -- but look at the little guy. Did I mention he's cute? This is easily next week's number one flick.
Number of Theaters: 3,900
Prediction: $70 million

Both of last week's new releases dropped like a rock to make room for Warner Bros.' Get Smart, which landed smack in the middle of expectations with a nice $39.2 million bow. As many people guessed, toxic word-of-mouth on The Happening led to a steep drop -- 67% -- and a fifth place, $10 million finish for the Shyamalan thriller. The $50.3 million cume is far from an embarrassment, but the descent is hopefully a signal to the filmmaker that he needs to, if not go back to the drawing board, at least steal a glance at it.

Slightly more surprising is the 61% drop for The Incredible Hulk, which finished third with $21.6 million. That's a measurable improvement on the 69.7% hit that Ang Lee's Hulk took in 2003, but the new film is still running behind the old one, and its lack of legs in a summer where big movies (Iron Man, Indiana Jones) have held up admirably might be an indication that the "less arty" reboot didn't solve the problem with the franchise, whatever that may be.